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CUYP, Benjamin Gerritsz. Peasants in the Tavern oil painting reproduction


Peasants in the Tavern
Oil on oak panel, 53 x 76 cm
new4/CUYP, Benjamin Gerritsz.-964254.jpgPainting ID::  32296
 

 
 
   
      

All CUYP, Benjamin Gerritsz. Oil Paintings
 
 
CUYP, Benjamin Gerritsz. Peasants in the Tavern oil painting reproduction


Peasants in the Tavern
Date first half of 17th century Medium Oil on oak panel Dimensions Height: 53 cm (20.9 in). Width: 76 cm (29.9 in). cjr
new25/CUYP, Benjamin Gerritsz.-654494.jpgPainting ID::  85192
 

 
 
   
      

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Jan Miense Molenaer Peasants in the Tavern oil painting reproduction


Peasants in the Tavern
first half of 17th century Medium Oil on wood cyf
new25/Jan Miense Molenaer-796395.jpgPainting ID::  88379
 

 
 
   
      

All Jan Gerritsz. van Bronckhorst Oil Paintings
 
 
Jan Gerritsz. van Bronckhorst Peasants in the Tavern oil painting reproduction


Peasants in the Tavern
first half of 17th century Medium oil on oak panel cyf
new25/Jan Gerritsz. van Bronckhorst-348854.jpgPainting ID::  89501
 

 
 
   
      
Jan Gerritsz. van Bronckhorst
  
(1603-1661) was a Dutch Golden Age painter and engraver. He is considered today to be a minor member of the Utrecht Caravaggisti group. According to Houbraken, van Bronckhorst apprenticed as an eleven-year-old with the glass engraver Verburgh in Utrecht. He worked with him for 6 months and worked with two other Utrecht glassworkers before embarking on a Grand Tour in 1620. He did not get far before he was offered work in Arras by the glassworker Peeter Matthys. After six months, he continued on to Paris in 1620, where he worked with the glassworker Chamu. He returned to Utrecht in 1622, where Cornelis Poelenburg taught him to paint. He married Catalijntje van Noort in 1626. He frequented the studio of Gerard van Honthorst. In 1647 he moved to Amsterdam where he created the stained glass windows and the organ doors (almost the only area in a Calvinist church where figurative painting was sometimes allowed) of the Nieuwe Kerk (finished in 1655). He has been described as the last of the great stained glass painters in Holland.. Unlike his work for churches, his secular paintings show the influence of Caravaggio, and also show a striking appeal to sensuality. Among his pupils are counted his sons Jan Jansz and Gerrit Jansz, and Cesar van Everdingen.
Peasants in the Tavern
first half of 17th century Medium oil on oak panel cyf

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